Winning Short Stories 2022/2023
"Cold Caller"
Keith Porter
Lewis Jenkins did his level best to ignore the annoying ring tone of the
telephone, which sat on the small solid walnut table beside the sofa in his
comfortable lonely home. He had set the stopwatch function on his mobile
when he had started the Sudoku puzzle in today’s newspaper, as was his
general habit, hoping for a personal best time at the “diabolical” level, but it
was no good. The irksome electronic trill continued, forcing him to abandon
the puzzle and concede defeat, all hope of concentration lost. It was not the
normal hour of his daughter’s daily call to check that he was still alive, which
he always had been. Therefore, by a simple process of elimination, requiring
no Holmesian depths of perception, it was going to be one of life’s time
wasters, put on earth solely to annoy the largely retired section of the
populace who continued to retain an old-fashioned landline as their preferred
means of external communication.
He carefully laid his tidily folded broadsheet newspaper on the coffee
table, followed by his pen, both in a deliberate and unhurried manner, giving
the telephone ample further opportunity to cease its unwanted encroachment
upon his quotidian post-breakfast routine but the trill was insistent and
eventually triumphed over his passive attempts at resisting its demand.
‘Yes?’ he ventured, imbuing this monosyllabic challenge with as much
boredom and disinterest as could be conveyed with a single short word.
The voice that responded spoke with an obvious south Indian accent.
Living in Leicester, as he did, if you took the trouble to get to know people,
you could roughly pinpoint their ethnic origins from their accent and their
choice of phrasing. The easily detectable mini-delay on the line confirmed for
him that the call was indeed from another country – and for Lewis Jenkins that
did not just mean the Cymric side of the Severn Bridge, where his own origins
lay, but somewhere much warmer, with sunshine, palm trees, warm rain and
spicy food; the sort of place to which he and Alys had so much enjoyed
travelling, when they had been able.
‘Am I speaking to Mr Jenkins please?’
‘And who is it that wants to know?’
‘I am very sorry to disturb you Mr Jenkins’, continued the unctuous and
unknown voice, knowing he had homed in on his intended target. ‘My name is
Raj. I am calling from Microsoft HQ. We have detected a fault on our software
and there is a possibility that this could infect your computer. I need you to
allow us to access the application so I can fix the problem and ensure that this
glitch does not cause you any security issues going forward.’
‘You’re not from Microsoft,’ retorted Jenkins impatiently. ‘You’re a
scammer. Why don’t you get yourself a proper job and stop annoying
people?’
‘Sorry. What is a scammer please?’
‘You know exactly what I mean: a fraudster; a con man.’
‘No, please believe me, Mr Jenkins. I really am from Microsoft. I am one of
their engineers dealing with software security problems. If you wish, I can
give you my number and you can call me back to verify the correctness of my
position.’ The voice sounded hurt, rather than affronted at Jenkins’ assertion.
It certainly spoke with a certain confidence but Jenkins was not fooled for a
moment, not this time.
Instead, his displeasure racked up a notch from being mildly annoyed to
becoming rather cross. Not twelve months ago, he had half fallen for a similar
scam and although he cottoned on during the call, he had worried that he may
have been a little late in doing so and had ended up ditching his old computer
and changing all his bank account details and on-line passwords. The
memory of all the hassle this involved when subsequently dealing with on-line
shopping and other web sites, not to mention the cost of the new computer,
only served to fuel his current displeasure.
‘No. I know a scam when I hear one and you sir are a thief and a con artist.
In fact, you are not even a very convincing one. Now please just go away and
annoy someone else.’
‘Please Mr Jenkins, sir. You are very much mistaken. I really am from
Microsoft. I can fully understand your suspicions however, as we face this
sort of response all the time. There are a lot of dishonest people in the world
and I know many people try and pretend they are from our company but I can
assure you with full authority that I am an honest man, trying to carry out my
appointed tasks to my full ability.’
The man’s continued insistence was the last straw. When later asked,
Jenkins freely admitted that there was no logic behind what followed next,
leastwise none that might be understood by anyone whose days were not
interrupted constantly by a plethora of unwanted callers, interfering with the
natural rhythm of their hard-earned retirement. Something just snapped inside
him, the proverbial final straw after too many years of enduring these wannabe
electronic pickpockets.
‘I repeat, you are a fraudster. So please bear with me and say nothing for
the next few seconds and listen very carefully to what I am going to say
instead.’ With no real thought of what he was actually going to say and not
wishing to descend to the level of profanity, which would no doubt be water off
a duck’s back to these sorts of people, he was seized by poetic inspiration.
This Raj chap would not understand Welsh, so he could say anything he
wanted. He arranged a couple of sentences in his head and then began to
chant them into the telephone’s handset, in a manner that drew its inspiration
from Nicol Williamson doing his Merlin thing in “Excalibur”, which he had
watched again recently:
‘Urr-oo-eev-een
Minned eer tav-aan.
Ack-unna-thloo-cock
Buth-av-een um-ol-kee:
Koo-roo! Koo-roo! Koo-roo!’
At least, these were the phonetic sounds heard by a bemused Raj, who
would have had no idea how they were spelt in Jenkins’ native tongue.
‘So Mr Raj, or whatever your real name is, did you hear everything I just
said.’
‘Yes,’ came the bemused reply, ‘I could hear quite clearly but I could not
understand anything. What language is this please?’
‘Don’t worry. You don’t need to understand, only to have heard for it to be
fully effective. I have placed a curse upon you. It is a very strong and ancient
curse of my forefathers. Much evil will now fall upon you and your family and
…’ he added, on a sudden whim, to ram home the full extent of his anger: ‘…
one of your children will die.’
With that, Jenkins replaced the handset back on its base and dismissing
the intrusion from his mind, reached over for his newspaper and pen to
resume his dalliance with the day’s Sudoku grid, rueing that there was now no
point in re-setting the mobile’s timer. He felt quite pleased with himself for the
reaction he had been able to come up with on the spur of the moment and
thought he might reward himself with an extra biscuit with his mid-morning
cup of tea, perhaps even a Kit-Kat.
Alacrity; that was the word. It had formed part of a clue to one of
yesterday’s crossword puzzles: “Moved with alacrity around one drug to
another (5)”. Speed; speed of thought. He still had that, even if other parts of
his gradually declining body were not as fast as they had been back in the
mists and myths of a more athletic past.
The following morning, the telephone rang again, provoking similar
feelings of exasperation.
‘Yes!’ The word was barked in a manner that should leave any cold caller
in no doubt that this was not a convenient time for them to telephone.
‘Hello Mr Jenkins. This is Raj. Do you remember? We spoke yesterday. I
wanted …’
‘Oh! Please just go away you silly little man.’
‘Please wait Mr Jenkins sir. I am very sorry. You were quite right. I am
not really working for Microsoft. Please can you take away your curse sir. I
promise never to call you again.’ Wow! Jenkins had hit a nerve. He punched
the air in delight, as if he had just kicked a last-minute, grand slam winning,
penalty goal for Wales against England. It was time to ram home his
advantage.
‘I’m sorry,’ he replied, in a firm authoritative tone, ‘but the curse cannot be
removed by me, only by one with greater powers. I gave you ample
opportunity to cease but you insisted on maintaining your pathetic little
charade. I only have the power to make the curse stronger, which I will if ever
you call me again; ever.’ This repeated last word carried an unmistakeable
emphasis and finality. ‘Now, please learn your lesson and go away.’
The handset was again returned to its base and later that morning, adding
to its very propitious start, an ebullient Lewis Jenkins had the further
satisfaction of a new personal best time for the crossword set by Nestor in that
morning’s newspaper. This he duly recorded in the small notebook in which
he logged such achievements – and thereby the new targets to beat. This was
all part of his grand strategy to ensure that the dreaded dementia never gained
a hold over his mind.
Alys would be proud of him, keeping up his guard against the “Dreaded
D”, as they had called it. He looked longingly at her photograph on the
mantlepiece over the fireplace. He missed her terribly, even after more than
three years since her passing. She had bravely fought her own more
devastating war against the “Big C”, winning the first two battles but mortally
wounded and brought down by the third.
‘I’ve still got it, Alys my love. The old grey matter is still working; I’ll never
allow my mind to forget you.’ He blew her a loving and tender kiss, the way he
always had. She had been his life’s purpose for almost fifty years, the first
consideration in all of life’s decisions. Now the principal purpose of what life
remained to him was that of holding on to their memories, for both their sakes.
+++++
Month followed month, season followed season in the irresistible passing
of time, each day with the same rhythm as that which had preceded it seven
days before and which would pass again, inshallah – as his good neighbour
Ali would say – after another week. Today’s Sudoku had been completed in an
acceptable time and the quick crossword dispatched with contempt. It was
Wednesday, so the cryptic puzzle had been set by Ignomen, who seldom failed
to deliver a proper contest between setter and solver, a true cruciverbal test
match. He reached over to the coffee table in front of him for his mobile, so he
could set its timer in motion but was rudely halted in his progress by the
house telephone.
He snatched it up. ‘Yes.’ He promptly answered without thinking and so
had not had time to adopt his preferred and loaded “cold caller” tone.
‘Hello Mr Jenkins. Perhaps you do not remember me. My name is Raj.’ He
instantly placed the man’s voice. This was the chancer he had sent away with
a flea in his ear. That was ages ago. What on earth did he want now?
‘Oh! I remember you all right. You’re the crook who thought he could get
one over on me a couple of years ago. I sent you packing with your tail
between your legs, if my memory serves me right; and I am pleased to say that
it still does,’ he added, knowing that this was an opponent whose measure he
well and truly had.
‘Please sir. I am very sorry to call but my son is very ill. Your curse is
working. Please, I beg you. Please can you take your curse back so my son
can be well again.’
Jenkins had almost forgotten about the so-called curse but the memory
came back to him now. Once more, he felt a strangely enjoyable sense of
satisfaction and sat back in the sofa to better appreciate the emotion. He had
obviously managed to get right under this Raj fellow’s skin. It served him
right. He had no sympathy for the man, in the same way that this fraudster
would have had no remorse for any of the victims of his scams. He and his ilk
left a sad and growing trail in their callous wake, as was evidenced by daytime
television and radio shows on a regular basis.
As for his son being ill, well children get ill, probably even more so in
countries like Raj’s, wherever that was. India, he supposed but who knew. It
could be anywhere; people moved about so much nowadays. What was
certain was that the boy being ill was nothing to do with him. The “curse” had
just been nonsense.
‘Please Mr Jenkins.’ He thought that he may have detected a sob but was
unmoved.
‘Innocents one, Crooks nil,’ he thought to himself and out loud added a
quotation from the Book of Hosea, for Raj’s later contemplation:
“He who sowed the wind must reap the whirlwind.”
Putting down the handset without feeling the need to add anything more,
Jenkins took up his pen to commence battle with Ignomen, his mind now fully
primed for the contest.
+++++
Nine days later, the house telephone trilled again. This time it was just
gone half past four o’clock in the afternoon. He suspected that it might be
Bronwen calling him a little earlier than usual. She sometimes did if she had
something on after work.
‘Hello,’ he answered.
It was not his daughter.
Between the confused sounds of incoherent babbling, he detected the
voice of Raj and gained the impression he was not altogether sober.
‘Please Mr Jenkins. You have to help me. Please!’
‘For God’s sake, get a grip man! What is it?’
‘Please. You must take away the curse now. One of my children is dead.
Just like your curse said would happen.’ Jenkins did not understand the
emphasis placed by Raj on the word “One”.’
‘Yes, you said your boy was seriously ill,’ said Jenkins, drawing on his old
man-management skills in a half-hearted attempt to convey a certain empathy
which he did not truthfully feel.
‘No. Not my son. He is very ill but I also have a baby daughter. You said
one of my children would die, so I have smothered her in her cot, to complete
your curse and save my son.’
As the words and their unbelievable import slowly sank in, something in
Lewis Jenkins exploded. This disgusting wretch had graduated from petty
fraudster to child killer. ‘You are evil, truly evil,’ he spluttered.
‘Please help me,’ implored the pathetic snivelling voice from thousands of
miles away. ‘What can I do?’
He did not know from where the words came, he simply uttered them in an
uncontrolled blind fury. This despicable man had killed his own innocent
infant daughter! He did not think, instead he commanded: ‘You must go to the
village of your ancestors. There you must destroy yourself with fire; and you
must do it now.’ Raj said nothing. This time it was he who ended the call.
+++++
The following Monday, there was a knock at the door. An Amazon parcel
for Ali or possibly Mrs Kaur on the other side, he thought. Instead, it was a
very young lady policeman. Jenkins instinctively realised the reason for her
visit.
Once seated in the lounge, tea politely declined, PC Molly Cartwright
explained the nature of her call.
‘We’ve received a request sir, from the police in Chennai, India. They’re
dealing with a suicide. A man from Chennai, called Arvind Krishnamurthy,
strode into the centre of a village fifty miles from the city, doused himself with
petrol and ignited it. He died at the scene.’
Jenkins listened in contemplative silence, taking it all in, including the real
name of the man he had, until this minute, known only as Raj. Strangely, he
felt nothing; no remorse, no guilt, only an empty nothingness.
PC Cartwright continued to explain the reason for her ringing his doorbell.
‘One of the things the local police found at his home and for which they had no
explanation, was a piece of paper with nothing other than a long number
written on it. Mrs Krishnamurthy told my Indian colleagues that she didn’t
know what the numbers represented but said that her husband had referred to
this piece of paper with growing anguish over the past few months.
The string “44116” appeared at the start of the number with another seven
digits following. The Chennai officer who took over the enquiry thought it
might be a Leicester telephone number. He has family in Leicester and
recognised the dialling code.’
‘It’s my number,’ confirmed Jenkins and with that, he told the young
constable the whole sorry tale from that first telephone interruption, right up to
his final command.
‘Do I need to come down to the police station to make a formal statement?’
‘I think that will be for the best; but I have a question first. I’m a little
curious, what was the nature of the curse you placed upon him?’
‘There was no curse, not as such. It was just the first load of old nonsense
that came into my head.’
‘So, what did you say to him?’
‘It was in Welsh. I’m from Carmarthen originally. If I remember right, it
was something like:
Yr wyf i’n mynd i’r tafarn
Ac, yn y Llew Coch,
Byddwn ni’n yfed
Cwrw, cwrw, cwrw.’
‘What does that all mean – in English?’
‘Translated, it means: I’m going to the pub and in the Red Lion, we will
drink beer, beer, beer.’
With that, Lewis Jenkins stood up and fetched his coat.
Second Place
"Seven locations from which I am absent
"
Peter Hankins
One. The northern end of the second aisle, Tesco’s in Goodge Street, 29 th of May 1987,
3.42 pm. The cheese shelves: Stilton. I have visited cheese sections where great blocks and
wheels of it stood free and unfettered, filling the air joyfully with their awful smell. Here in
this smaller supermarket, the cheese is under control. Compact, easily-organised portions
are encased in shiny, sealed plastic and other wrappings and held securely on the shelves
of the chill cabinet. There is no odour. I am not here, because I did not take the
opportunity that day as I passed, of obtaining some Stilton, leading to my cheeseboard for
a dinner party being roundly criticised. You will remember being the author of that
critique. I hated Stilton. I had good reason.
I mean, look at it. Look at it closely. The rancid milk that clotted together to form it
is now friable and crumbling, and has developed cracks and crevices like dangerous caves
and potholes. Those crevices have gone mouldy, thickly mouldy with a soft grey-blue coat
that furs and almost chokes them. On that mould – keep looking closer, take a magnifying
glass – we can see mites crawling. Tiny insect-like creatures. Mites that have spent time
there, a whole community, a nation of them, eating the mould, pooping, reproducing,
dying and by their own standards, leading rich, full and filthy lives. Let them go on, I
would have said, let them live out their spans: let their furthest descendants die content,
full of years and glory. I had no desire to cram them into my mouth, with or without a
cream cracker.
Yet it was only days later – wasn’t it? – that I was made to do so, and was obliged to
admit that I found the taste agreeable. Since then I have eaten blue cheeses of all kinds
while trying not to think about them. I have to this day never been inside Tesco’s on
Goodge Street: the details I have given may therefore be inaccurate.
Two. Venice, 6 May 1740, thirteen minutes past eleven, at the end of the Grand Canal,
which is full of boats, gondolas and very grand barges, contending over their positions and
rights of way so vigorously one might think a naval battle is in progress. Insults in the
Venetian dialect are thrown into the briny air like sonic fireworks, so lilting and musical it
seems there is a real danger of an opera breaking out. In fact there is a regatta going on
already, but it resembles the rather posh events I know on quiet rivers in England about
the way a belligerent peacock resembles a partridge.
One reason for my absence – this is the eighteenth century – needs no elucidation,
but it is also the case that the space in question is already occupied by an artist, whose true
name, unbelievably, is Giovanni Canal. He is making sketches which will lead to a
painting. Contemplating that work in our later era, I made the case that this rather boring
artist, usually known as ‘Canaletto’ was popular with British and other Grand Tourists
because he gave them exactly what they wanted: a slice of Italy. They bought Italian art so
as to have some claim on the place, to buy into the civilised Mediterranean with its
elegance and echoes of antiquity, and thereby become by proxy citizens of the Renaissance.
Canaletto gives them the place pure and simple, with no complicating Catholic Madonnas
or distractingly nude deities. I was contradicted, wasn’t I? I was told his appeal is simply
the wonderful serenity which underlies even the busiest of his scenes. I imagine this idea
sprang from the fact that the city of Venice is referred to by some arty types as ‘La
Serenissima’, or rather, they make a point of telling you that it is referred to in that way by
some unspecified others, Italians or cognoscenti or pretentious bletherers. I don’t mean
you. You never blethered.
Three. Seat M7, Regent’s Park Open Air Theatre, 12 June 1987, 7.30 pm. A Midsummer
Night’s Dream. They nearly always do Midsummer Night’s Dream: I suppose the
background of the park lends itself to the sylvan setting of the play. This was a particularly
good production, however, one that was nominated for an Olivier Award as Comedy of the
Year. I’m told that people who saw Ian Talbot’s Bottom that summer never forgot it. I was
not among them, though I had a ticket. Why was I absent? Because I was elsewhere. I was
in bed. That in turn was because when you came round to my place, you said:
‘Look, Jonathan, I really enjoyed your dinner party. And I liked looking at
paintings with you. I’m sure I would really enjoy the theatre too, if that’s what you prefer.
What I’d really like to do, though, if I’m honest, is cut to the fuck?’ We cut to it. We cut to
it all right. I believe we cut to it several times.
Four. Machu Picchu, palace of the Emperor Pachacuti, the Old Mountain above the
sacred valley, Urubamba province, Peru: any time from about 1450 AD onwards but
specifically on 4 September 1987, around mid-day. That is when my eternal absence from
the place is salient, because if I had gone with my old friend James as originally planned I
should have been there then. Instead, I was on a beach in Tenerife, where you wanted to
get some last sun before the British autumn set in. Los Cristianos doesn’t have the
historical resonance of the lost Inca city, but it was an idyllic trip and I did not spend much
time regretting my choice. I generally like a day or two on the beach, but this time I
enjoyed it more particularly. I pretended I was reading, but once your eyes were closed I
spent most of the time just looking at you and breathing in the scent of coconut sun cream
that rose from your overheated thighs.
We met an old friend of yours – Amanda – a lively character. She took us to a
splendidly seedy club, where we danced and drank terrible cocktails. I believe we had a
great evening, but all I remember is the hangover next day, one that outclassed any I ever
experienced before. I have sometimes wanted to die during a hangover, but this was the
first time I wished – really desperately – that I had never been born. Much later, in a less
happy time, you told me Amanda had said I was the only person she had ever met who,
when drunk, became neither jolly nor maudlin, but pompous.
Five. A small house on the outskirts of Anchorhead, 14 th December 10538 BC, 11.24 am.
Anchorhead is a settlement on Tatooine, a planet situated in the outer rim of another
galaxy – possibly Andromeda though we cannot really know. The date is also conjectural.
Of course I could not have been in a location so impossibly remote, or one so very long
ago, but the chief reason for my absence is that the place is fictional, being a location in
Star Wars. We had gone to your friend Amanda’s flat where she was running a viewing of
the entire trilogy (as it was then): there were about a dozen of her mates sitting and
sprawling around the room. The sofa and chairs were all covered with throws, which I
suspected were hiding holes, tears and stains. All of Amanda’s furniture looked second-
hand, and in fact a lot of it had probably come out of skips. Amanda was proud of this. She
was currently making popcorn in the kitchen and a smell of hot oil, not unpleasant, drifted
into the room.
‘You like Sci-Fi then, Jon?’ asked Kev, Amanda’s long-term boyfriend. He was a
gentle soul and I think he felt it was his social duty to make me feel at home in this group,
who all knew each other better than I did.
‘Well, I like SF, but Star Wars is not my idea of good Science Fiction. Really I
think the whole thing is quite a good parody of old Saturday-morning films like Buck
Rogers. Proper SF explores ideas, but Star Wars is just cowboys in space. Or Camelot in
space, I suppose.’
‘Camelot?’
‘Yes, you know. With the swords and knights. I love the absurdity of the light
sabres. I wish they’d done more with that, you know: laser battering rams, laser nooses to
hang people with.’ Kev chuckled politely, but Amanda had just come in with a bowl of
slightly burnt popcorn, and she frowned.
‘It’s just a bit of fun, though, isn’t it?’ she asked.
‘Oh yes, but some people talk about it as if it were Hamlet, discussing deep
meanings and stuff. Not stupid people, either, quite intelligent analysis: much cleverer
than the actual scripts if you ask me. That seems like a terrible waste of intellectual
capacity doesn’t it? But what do you think, Amanda?’ She paused.
‘I think you need to unclench,’ she said. Everyone laughed. It was funny for some
reason, maybe the way she said it, and I very nearly laughed myself. But then I thought:
actually that’s pretty rude, and you don’t get to be rude just because you make a joke of it.
So I just raised my eyebrows and sat down. You told me afterwards that I’d been a bit
prickly and that I would really like Amanda if I could just take her as she was.
Six. The garden of 43b, Snettisham Road NW1, 19 th June 1988, 12.30 pm and all times up
to about 15.00 pm when the situation ceased to be recoverable (though to be clear, I never
arrived at any time). I was ill. I truly was. You did not believe anyone could get the flu in
the middle of summer, and perhaps you were right. It may have been only a cold, or some
other virus with similar symptoms. However, I was unwell.
Yes, it is true that I didn’t like your friend Amanda and had no desire to attend her
crummy ‘garden party’ where no doubt horrible rosé wine was drunk from plastic cups
and burnt amateur quiche consumed. It is not true that I had been consistently rude to
your friends, or that I considered them all stupid. It is not true that I had particularly taken
against Amanda, nor that I always spoke to her in a sarcastic way I thought she did not
notice, but which in fact would have been obvious to a five-year-old. It is true that, because
I did not much like Amanda, I always made a particular effort to sound enthusiastic about
whatever she said. If she interpreted that as sarcasm, well, that’s Amanda and I cannot be
held responsible. You know that name, ‘Amanda’ means ‘she who is to be loved’ in Latin?
Pardon me if I find that a rather sick-making thing for anyone to call themselves.
Nevertheless, I was unwell for quite other reasons. Genuinely unwell. Yes, perhaps at a
pinch I could have taken some pills and turned up, but that would have been irresponsible.
I was probably contagious. Your friend’s name was not ‘Infectanda’, she who is to be
infected.
Seven. Your bed, whichever and wherever it is, at any time after 19.45 pm on Sunday 17 th
July 1988. I am exiled forever from the warmth of your duvet and of your love, and though
it is long ago now, and I have been present and also absent under other duvets, I have
never completely ceased to regret breaking up with you. When I eat blue cheese, which is
to be enjoyed in spite of its superficially repellent qualities, I think of you and what might
have been, perhaps if I had been less clenched than I am.
Third Place
"The Oaths
"
Eugene O’Toole
Salazar lies gravely injured in a hospital bed. The holes from bullets that punctured his
torso and shoulders are covered in gauze. Blurred stains of blood have worked their
way through the dressings. His eyes are shut. The beeping of a monitor is all that signals
the supreme leader of a powerful clan, the criminal scourge of the region, remains alive.
It is a miracle, if that is the right word, thinks Doctor Ramirez as he stands in the
doorway taking in the man’s form buried beneath creased sheets. The henchmen of his
patient’s nemesis, Beltran, rarely fail. A dark angel must have been watching over this
mafia capo in the restaurant where he was ambushed. It was not watching over the
others, however, the six innocent people who died in the hail of indiscriminate gunfire.
There is movement in the corridor and the doctor turns. Salazar’s son, Mario,
another killer with a baby face, approaches, followed by his bodyguards. He has the
eyes of his father, Ramirez thinks, their glare penetrating, looking beyond. It is almost
as if they can see death in the distance.
“Any change?” Mario asks, looking over the doctor’s shoulder at the bed.
Ramirez shakes his head. Salazar is still critically ill. It could go either way.
This is not enough for the young man, whose impatience is coiled like the spring
within the trigger of a gun, ready to be released at any moment. The veins in his temples
stick out with tension.
“Doctor,” he says, staring with menace. “If he dies, so do you …”
Ramirez knew this. It went without saying. The clan’s rule is absolute, its all-
seeing power based upon unconditional fear. It is not possible to disobey. Do what you
are told, never ask questions, achieve the impossible, or die. He feels a perverse
gratitude that at least this unspoken code has been articulated openly.
“Don Mario, I will do everything in my power, but your father has been shot
fifteen times, we must simply wait and hope …”
The young man tolerates no doubt. There are no grey areas in his life, just black
and white. You are either with him or against him.
“… and your family dies too, Ramirez. All of them. That beautiful wife, those
sweet daughters. I swear it. It is my oath.”
The doctor is left speechless as Mario storms out to plot revenge against his
father’s sworn enemy. This blood feud has lasted several lifetimes. As he leaves, the
young man shouts at one of his lieutenants so that the physician will hear him, “Watch
the doctor’s house. If they try to run, kill them all.”
The entourage disappears into the elevator. Ramirez slumps into a chair, the
silence suffocating. He must see his wife and children. He must find a way to protect
them from this abysmal threat.
He instructs the nurses to monitor the patient and drives in the early evening
light through the cooling suburbs to his home. As he turns into the short street of
comfortable houses, he notices a black sedan in the shadows beneath a curling
jacaranda. He is unnerved, and swerves until he is able to gain control of his car and
pull up outside his house. The sedan slides out and stops behind him. He will tell them
the truth: he is only visiting his home for supper, as he always does, before returning to
the hospital. He will not run.
But the vehicle does not belong to the Salazar clan. Beltran himself alights,
clearly recognisable from his frame, shaven scalp, and the jagged scar across his cheek.
He is dressed in black, tall and lean, fit and strong. He is brave, perhaps too brave, for
he has dismounted from his vehicle alone. The street is almost certainly being watched
by his rival. It is this fearlessness that has got him where he is, to the brink of unseating
the most powerful godfather in the hemisphere. Ramirez can sense why Beltran
threatens the natural order.
“You know who I am?”
Beltran’s voice is sharp as a dagger, confident. The doctor nods. Of course he
knows, everyone does. This is the man who dared to shoot Salazar, who pumped bullets
into another human being and took innocent lives in the process without blinking. This
is the upstart whose ambition has stained the landscape red with the blood of his rival’s
foot soldiers. The feud predates them both, but both have taken it to a new, terrible level.
“So you know why I am here?”
Ramirez does not. Much has transpired in the last six hours and he is struggling
to stay on top of events, make sense of them. He shakes his head.
“As you can see, I know where you live,” Beltran nods towards the house. “If
Salazar lives, you will die … and your family tree.”
He spits on the ground and dips his toe in his saliva.
“I make a solemn oath to you. Make sure he dies, or you will all perish.”
At this, Beltran is gone, back into the shadows. Ramirez is numb, and only
becomes aware that he is alone again after the sedan has pulled away. The gentle roar of
its engine fades to the sound of cicadas
By the time he reaches the front door, the full implications of his predicament
have taken his breath. His legs give way. He collapses to his knees with shock on the
porch. The door opens and there is his wife. She rushes to help him in, oblivious to the
fatal dilemma he is facing. As she helps him up and sits him on a chair, the children
rush to greet him. He tries to smile, but looks at them all with dread at what fate has in
store. If Salazar dies, Mario will kill them. If he lives, Beltran will kill them.
That night, the doctor lies in bed beside his wife. He feels her comforting
warmth, the reassuring proximity that he never wants to lose. The bedroom is next to
that of his daughters. He pictures their faces, their child-like joy at simple things, and
hears their laughter. It is what he can never get enough of, that noise, so enchanting, so
disarming. It is what makes life so worthwhile.
His mind is racing as he tries to diagnose the aetiology of this disease, always the
first step towards a prognosis. He runs through scenarios, as if there is a treatment for
the life-threatening condition that has struck him down with such unexpected potency,
it is just a matter of finding it.
Of course, there is the most predictable outcome. He pictures a darkened figure
sloping through the shadows of his home armed with a gun, a machete, or just his
powerful hands.
Then there is the lesser possibility of reasoning with these killers, Mario and
Beltran, pleading with them to spare his family, sacrificing himself, yet never knowing
after he has gone whether the men will remain true to their word. It is far too
precarious a prospect. The only loyalty they have is to their clans.
Then there is the scenario in which he tells his wife and children to gather their
things tomorrow morning and run with him until they are safe. They will run and run
and never cease. But the house is being watched and even if they were to find safety,
how long would it be before either man catches up with them, wherever they are? The
reach of these deadly clans is global. Their tentacles infinite.
Finally, there is the scenario that he is drawn to most. It seems like the only way
out of an impossible situation. He will endeavour to kidnap the children of Mario and
Beltran. He will use them as human shields to steal his family across the border. His
wife and children will escape and then he will free his captives. He may die, but at least
his own clan will live.
It is a scenario that his troubled mind entertains. He sees the future in imaginary
detail. Far above them, an eagle circles. Its whistled shriek echoes in the silence of the
burned hills that lead to a sleepy border crossing.
The family sit in a car in an empty parking lot in sight of the guards, who
recognise what is unfolding in front of them but have been told not to interfere. It is a
short trot from the car to the passport control booth. They can hurry through in
seconds.
The doctor looks in his rear-view mirror at the two captive children in the back
seat. He gives his wife a reassuring nod, and she exits the car with their daughters. She
clutches a single suitcase. He gets out then opens the rear door and summons his
captives from the back seat. He stands with them, tells them to be patient, his eyes on
two vehicles hunched low on their haunches across the lot.
The vehicles are not side by side, but separated by a hostile space. The drivers
watch each other as much as they watch the doctor. Beside them are nervous women,
the mothers of the children he is holding, waiting, their faces creased with maternal
anxiety. They are married to mass murderers, yet love their babies.
The doctor turns to his wife and tells her to proceed to the border post. He will
follow.
“Walk slowly, they will not harm you.”
He crouches, then tells the two children he has been holding to run directly for
their mothers, run, run, and as he does so rises, swivels on his heels, and sprints towards
his wife.
The children of Mario and Beltran do as they are told, trails of dust rising from
their little feet as they cross the dried earth creating a smokescreen of sorts that
conceals his escape. They bury themselves in the arms of their grateful mothers, who
glance at each other with knowing resignation. This is the price we have paid for peace.
But the doctor knows none of this will come to pass. He is middle-aged, bookish,
overweight, weak. He has never threatened anyone. Moreover, he has taken an oath, to
treat the sick and, in doing so, never to do harm. Primum non nocere. It is as impossible
for him to carry out what his desperate mind plots and break this oath as it is for him to
escape the dilemma he finds himself in.
Ramirez plays over these scenarios nonetheless, probing for a weak spot, a
concealed fault line, a crack in the impregnable edifice of the inevitable, until he drifts
into a fitful sleep, woken only when morning arrives by the sound of his daughters.
Laughing.
He is sombre at breakfast, trying but failing to raise a smile. His wife and
children are not aware of the burden that he carries, for he is sworn to secrecy to ensure
they never find out what threatens them. No one must know that the fates of two
murderous cartels are now in his hands. But he is bleak as he says goodbye, and his wife
notices a slither of despair in his eyes. She puts it down to overwork, kissing him more
tenderly than usual.
As he drives along his street, he spots the sedan from the day before, waiting,
watching. Beltran’s men. Then, as he pulls out, he spies a black land cruiser on the
opposite side, presumably Mario’s men doing the same. There is no escape from his
tormentors.
At the wheel, he recounts his oath, his medical training, the wisdom of the
professor who was his inspiration at medical school. If he were here, the doctor would
turn to him for help. The voice of his mentor was infused with healing warmth and the
determination to prevail against death. He sees the old professor’s face, hears the
famous refrain in a throaty echo he was wont to repeat endlessly as he toured the
emergency ward with his students, “where there’s life, there’s hope”.
At the hospital, the doctor slides through the silent corridors watched with
permanent suspicion by Mario’s men. They stand at doorways, observant to threats,
guns in shoulder holsters, wilfully conspicuous. The entire building has been occupied,
other patients cleared, for one single man. The cartel’s power is absolute.
Ramirez changes, washes his hands and face, and then visits his only patient. The
old man stirs slightly as the doctor checks his vital signs, reads his chart, confers with
the nervous nurses, his continuing life both a blessing and a curse.
There is little Ramirez can do but wait. He has done everything he can. As he sits
there in his office, reflecting on his dilemma, he again replays the permutations that he
has considered to keep himself occupied. He inspects the pharmaceuticals in the cabinet,
makes a note of stocks, locks the cabinet door with his keys. His movements are slow,
surgical, controlled, although inside he is fighting turmoil. He notices the tremor in his
hand, aware that there is no medicine for the nausea that he feels.
He visits the patient once more, checks him superficially, makes the waiting
guard aware that he is there, doing his job, attentive to the injured man’s every need.
He consults with a nurse, instructs her to change a dressing. He knows that he must
save this man, that he has no choice, but that the patient’s life balances on a knife edge,
teetering between this world and the next, as does his.
He asks the guard when Mario will be there. He wishes to talk with him, update
him on his father’s progress. Later, the man says, this afternoon. Mario is visiting his
mother in the sierra. If there are issues of concern, tell me and I shall call him, the
guard adds.
Ramirez nods. There are no issues of concern. He returns to his office, walks
casually, trying to demonstrate mastery of his circumstances.
Tension has risen in the endless feud that has defined the evolution of the
warring clans. It is at the point of combustion, about to ignite in open warfare on the
streets of the city at any instant. The day drags as if being stretched taut by time to
torture all its occupants with cruel satisfaction.
The doctor is at his desk, staring into space. He is weary, unkempt. He cannot
stop his mind painting images of death. He is disturbed in his reverie by the voice of a
nurse. She puts her head around the door. The patient has woken.
Ramirez nods as if it is something he has been expecting. He pushes himself up,
swipes his stethoscope from the desktop and wraps it around his neck, then trudges with
resignation to the ward. At least if Salazar lives, one side of this malign equation will be
resolved in his favour.
The injured man is awake. He sees the doctor and follows him around the room
with surly eyes. He remains badly wounded, but is strong and determined, as someone
in his position would be. It is possible that by sheer force of will he will survive.
Word reaches the don’s many henchmen waiting in the corridors. It is a nervous
murmur, and there is an air of triumph. Mario will soon find out. His cohorts are
everywhere. The patient is conscious, now the doctor must keep him so.
But Salazar’s enemies have spies, and they will learn from someone at the
hospital that the old man has opened his eyes. He lives. It is the doctor who must now
die.
Ramirez examines Salazar. The old man stares at him with the threat of
jeopardy that he is known for. The doctor inspects his wounds, checks the chart, asks
the patient if he can hear him. Salazar nods at the door. Ramirez closes it.
“The nurse tells me that I owe you my life, Doctor,” the old man says, his voice
cracked but still deep with the resonance of unlimited authority that he wields. “I am
grateful.”
What can Ramirez say? In a moral universe, what is the logic of the Hippocratic
oath if it serves to save the life of a man who will go on to kill others, probably many?
Would it not be better for this man to die, so that other men will live? However, the
doctor knows that it is impossible for him to make such judgements, conclude a
utilitarian calculation about this man’s future. He decides to be honest. It is all he has
left.
“It is my job.”
The old man smiles, but not without cynicism. He has sensed from the doctor’s
tone that this man does not believe he should live. But he is also aware that he has come
closer to death than ever before in a life spent defying it. The doctor has merely given
him what we all want. More time.
“I am in your debt,” Salazar says coldly, as if speaking a timeless, dispassionate
truth. “It is rare. Ask me for anything, and it is yours. It is my oath.”
*
The sun feels hotter on the other side of the border. The doctor has lost everything he
possesses, yet has saved everything he needs. He breathes the air of freedom with such
gusto that it is intoxicating. He floats on his feet, relieved of a burden most men will
never have to shoulder.
He takes the suitcase from his wife’s hand outside border control and smiles at
her. He tousles the hair of his daughters, tells them they are going to live in a new home
and not to be afraid for it is an adventure. They begin to walk.
As he does so, he makes an oath never to return.